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Ian Hague is the director of Comics Forum (), an academic organization that promotes the study of comics and related forms. Her interest in comics stems from her enjoyment of exploring how they are used to represent and translate people’s everyday lives and imagined lives. Her main area of interest is identity how it is theorised and presented as well as its negotiations and diverseness (thus far having mainly focused on African female identity). She did her MA in gender studies and diversity at the University of Bradford. Carolene Ayaka has a doctorate in social policy from the University of Chichester. Taking a truly international perspective, the book brings into dialogue a broad range of comics traditions.
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Discussion themes include education, countercultures, monstrosity, the notion of the “other,” anthropomorphism and colonialism. Latino culture and Canada and consider the ways in which comics are able to represent multiculturalism through a focus on the formal elements of the medium. Contributors engage with ethnicity and other cultural forms from Israel, Romania, North America, South Africa, Spain, U.S. This book presents a wide-ranging survey of the ways in which comics have dealt with the diversity of creators and characters and the (lack of) visibility for characters who don’t conform to particular cultural stereotypes. Multiculturalism, and its representation, has long presented challenges for the medium of comics.
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Representing Multiculturalism in Comics and Graphic Novels
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PART IV Challenging Assumptions.ġ0 Narrative Exploration against Mentality Issues: Indirect Education for Multiculturalism in Tintin.ġ1 Embracing Childish Perspective: Rutu Modan’s A Royal Banquet with the Queen.ġ2 An Innocent at Home: Scott Pilgrim and His Canadian Multicultural Contexts.ġ3 The Lower East Side as Mishmash of Jewish Women’s Multicultural Images in Leela Corman’s Unterzakhn.ġ4 They All Look Alike? Representations of East Asian Americans in Adrian Tomine’s Shortcomings and Scenes from an Impending Marriage.ġ5 Tulips and Roses in a Global Garden: Speaking Local Identities in Persepolis and Tekkon Kinkreet.ĭownloaded by at 07:14 PART III Monstrosity and Otherness.ħ The Monster Within and Without: Spanish Comics, Monstrosity, Religion, and Alterity.Ĩ Colonialist Heroes and Monstrous Others: Stereotype and Narrative Form in British Adventure Comic Books.ĩ Set Pieces: Cultural Appropriation and the Search for Contemporary Identities in Shōnen Manga. PART II Depicting Difference.Ĥ Recognition and Resemblance: Facture, Imagination and Ideology in Depictions of Cultural and National Difference.ĥ “Badgers? We don’t need no steenkin’ badgers!” Talbot’s Grandville, Anthropomorphism and Multiculturalism.Ħ The Image of the Foreigner in Historical Romanian Comics under Ceauşescu’s Dictatorship. PART I Histories and Contexts.ġ Multiculturalism Meets the Counterculture: Representing Racial Difference in Robert Crumb’s Underground Comix.Ģ The Impact of Latino Identities and the Humanizing of Multiculturalism in Love and Rockets.ģ The Presidential Penis: Questions of Race and Representation in South African Comic and Satirical Art. Introduction: Representing Multiculturalism in Comics and Graphic Novels.